In the period after 1905 the company displayed an innovative range that was mainly derived from cooperation with the cream of contemporary artists, described in the "Masters" section.
As times were changing, the interest for the floral Art Nouveau lines began to diminish. The new types Titania , Markasit , Carrageen and Flamarion, with combed ornaments - although still reminiscing of the former Phänomen genres - didn't rely anymore on the iridised surface, but on a strongly coloured background and silver-white waves, covered in clear glass. The tendency to bright colours also showed in Melusin , often used by Adolph Beckert for his cameo designs and in Perlglas, a favourite of Otto Prutscher. At first sight Perlglas seems to feature enclosed air bubbles, but actually they are small silver "bullets".
